CAHOOTIFY Now Has An EVENTS Page!

CAHOOTIFY is now running an Events page, where you can discover local and virtual events for filmmaking audiences!

The page has only been live for a few weeks, but we already have 15+ events to look at, including In Conversation with Filmmakers, an online panel held by Regent’s University London, and Encounters Bristol, the popular film festival currently accepting submissions.

If you’re running an event or you know of something that would be relevant to CAHOOTIFY, please get in touch with us and we can set up a page for our community to see.

Ideal events include film conferences, industry days, talks at film festivals, screenings followed by Q&As, and one-off workshops. Events can be live or virtual, as long as they’d be valuable to our community of aspiring and professional filmmakers.

Find the Events page by going to www.cahootify.com/events or simply go to the menu on the left-hand side while browsing CAHOOTIFY.

If you haven’t already, sign up to CAHOOTIFY at www.cahootify.com/create-account to have the freedom to showcase a portfolio, find opportunities, and recruit people for your film projects!

Contact us about an event:

Abigail Martin (Community Manager): abigail@cahootify.com

Pete Francomb (Chief Exec/Founder): pete@cahootify.com

‘Acting For Camera’ – A Course from The British Acting Academy

Are you an actor looking to improve your skills? Are you stuck at home and need something to occupy your time? Would you like to be taught by a professional Hollywood actor with plenty of credits to their name?

The British Acting Academy is hosting an exciting course, Acting for Camera, and students will be coached by BoJesse Christopher, an actor who has starred in various films and award-winning series. BoJesse has appeared in HBO’s True Detective, FOX’s Deputy, and alongside Keanu Reeves and Patrick Swayze in Point Break.

During this course, students will cover warm-up exercises, audition techniques, scene study, rehearsals, on-camera technique and more. You will also receive detailed feedback from BoJesse during the sessions, applying it while working on your performance.

The course will be in the form of live workshops, running over four consecutive weeks with two-hour sessions on Tuesdays from 7PM-9PM.

If you’d like to apply, head on over to the British Acting Academy course page: https://www.britishactingacademy.co.uk/livevirtualactingcourses/p/acting-for-camera-bojesse

The course begins on 31st March and has a limit of 14 participants, so don’t hang around!

 

 

The British Acting Academy was founded by Gary Owston and Mark Horton (one of CAHOOTIFY’s members).

“The Premier British Acting Academy is here to offer the best in Drama and speech training for actors. We are bringing together a team of experts that will help deliver online training of the highest quality that is accessible to all.”

https://www.britishactingacademy.co.uk/about-us

https://cahootify.com/mark-horton

The Director’s Lined Script

What is it and how can it help you make better movies?

By Keith Kopp

The lined script is hands down the most important tool I have picked up on my directing journey and it marks a point where my films started to become more controlled. It is a clear way for me to note the coverage that I want, establish the shooting style and it helps me create my shot list. It can also help you to visualise the pace and tone of the film you are about to create. If you have ever seen a director toting a script around that has several lines (each represent a shot) with a number next to it, this is it.

An example of a lined script

When I first started making films I would just create a shot list after completing the script and the downside to this is it can easily turn into a confusing approach.  You might forget the coverage you initially wanted, this may shift the tone once you arrive on set and it makes you look underprepared. The lined script is your hack to the next level of directing.

How to create a lined script:

  1. First read the scene in your script – close your eyes and visualise – how does the scene look in your mind (be specific and try to fill in any gaps)?
  2. Remember that a basic scene is a master wide shot with two tighter medium shots (a set up you have seen on procedural television many times). There are times where this is economical storytelling, but does this feel too forumlatic for the story you wish to tell? What is your style, will the scene be covered in a oner with developing blocking?  Or will it have several shots with a faster pace to create tension?
  3. Draw a line either down the side or in the middle of the script and stop the line when you think the shot will end. You will then number the lines (these are your shot numbers). Most on the left hand side and go right but I do the opposite.
  4. Create a shot list that corresponds with your lined script, at a minimum you should have the shot number, scene number, description of the shot size/movement and description of the action you are covering in the scene. This will help you remember what the plan is but also allows your team to better understand your directorial vision.
  5. One of the signs of a seasoned director is that they are not shooting everything, they shoot what they know they need. There is a fine balance between having the coverage you need for your edit but also not rinsing your actors of their energy when you have their performance already covered from another angle.

There are several ways to do this and some directors have a whole language with scribbles and symbols. I personally use lines with a dash at the bottom to show the end of the shot or an arrow to signify its continuing at another page and a squiggly mark over anything that is off screen.

The lined script can also help you in the edit when it comes to recalling your initial intentions for coverage and shooting style. If you have a script supervisor on set they will make their own version of this which will outline what was actually shot (how takes, condensed shots, and any changes to the plan).

Keith Wilhelm Kopp is a director of several short narrative films, and he is currently in post-production of his debut feature film Translations (which was partially crewed up on Cahootify). He is currently developing a feature film with the support of the BFI Network. You can check out some of his work on his Cahootify profile.

We Were Included As a Top Startup by Welp Magazine!

In one of the newest articles published by Welp Magazine, ‘Top Digital Media Companies and Startups in the UK’, we were delighted to see that CAHOOTIFY has been given a mention.

Welp Magazine, an online magazine dedicated to providing advice, tools, and guidance for various businesses, launched in 2020, and they already have dozens of articles for ‘all your business needs’. These include recommendations for office equipment, accounting software, and strategies. They also document topical trends in the business and technology industries, such as how/when office workers can return to normal after the pandemic.

CAHOOTIFY has appeared in their list of the ‘Top Digital Media Companies and Startups in the UK’, an article released on December 6th 2020. We’re honoured to have been included amongst a slew of well-established names including Channel 4, Comedy Central, and AOL. As a company committed to helping  filmmakers make their projects happen, as well as everyone involved in the filmmaking process, it’s heartening to see the development and growth of the Cahootify platform recognised by their analysts.

You’ll find the full article  here: https://welpmagazine.com/top-digital-media-companies-and-startups-in-the-uk/

Are you a filmmaker, producer or actor? Don’t yet have a Cahootify account? Sign up at https://cahootify.com/create-account